| UNIVERSITY OF THE FUTURE |
| SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY |
| Faculty of MEDICAL SCIENCES – CURRICULUM |
| SCIENTIFICALLY
STUDYING THE HUMAN CAPACITY OF UNIVERSAL INTELLECTUAL ACTIVATION OF HEALTH WITHIN OUR COSMIC HUMAN FUNCTIONING |
| THROUGH THE MUSICAL PROCESS OF CREATION |
19. Musical Motif-Space to Creative Field of Inner Hearing
SCIENTIFICALLY STUDYING THE UNIVERSAL FUNCTIONAL DEVELOPMENT OF COSMIC HUMAN LIFE, EVOLUTION & DIGNITY – THE AUTHENTIC CREATIVE PATH TO SCIENCE – AND
THE NATURAL UNIVERSAL FUNCTIONAL DEVELOPMENT OF MEDICAL SCIENCES – IN CONNECTION
TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF THE MEDICAL SCIENCES UNDER
THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL
FUNCTIONAL DEVELOPMENT OF THE NATURAL UNIVERSAL COORDINATION OF OUR ABILITY OF
COSMIC INTELLECTUAL DISCRIMINATION WITH OUR INNER COSMIC HEARING ABILITY
WITHIN THE UNIVERSAL DEVELOPMENT OF HUMAN CREATIVITY
THROUGH UNIVERSAL SYNTHESIS IN THE MUSICAL FIELDS OF CREATION
DURING THE MUSICAL PROCESS OF CREATION
Subject of Study 6
Scientifically Studying the Universal Development of Regenerative
Coordinative Human Creativity within the Universal Coordination of our Regenerative
Ability of Cosmic Intellectual Understanding with
our Inner Cosmic Hearing Ability
Through the Transition from the Field of Knowledge of the Musical Motif-Space to the Field of Knowledge of our Hearing
During / by the Synthesis of the Sound
our Inner Cosmic Hearing Ability
Through the Transition from the Field of Knowledge of the Musical Motif-Space to the Field of Knowledge of our Hearing
During / by the Synthesis of the Sound
Seminar Series
at the transition of the sound – of the combination of vowel and consonant –
from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the voiced consonant from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the unvoiced consonant from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the formants from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the vowel from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the overtone mechanics of the sound from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the decay of the sound from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the attack of the sound from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the aperiodic vibration of the sound from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the vibration sequence of the sound from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the periodic vibration of the sound from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the overtone spectrum of the sound from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the basic sound from the force-field of the musical motif-space to the force-field of our hearing
