UNIVERSITY OF THE FUTURE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY

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Peter Hübner
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Scientifically Studying
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31.
Musical Motif Space and Creative Field of Inner Hearing

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Subject of Study 7

 

 

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Faculty of MEDICAL SCIENCES – CURRICULUM
SCIENTIFICALLY STUDYING THE HUMAN CAPACITY OF THE UNIVERSAL INTELLECTUAL MANAGEMENT
OF NATURAL HEALTH
STUDYING THE HARMONY LAWS OF THE MICROCOSM OF MUSIC WITHIN THE
MUSICAL FIELDS OF COGNITION AND CREATION
31. Musical Motif-Space and Creative Field of Inner Hearing

SCIENTIFICALLY STUDYING THE UNIVERSAL EVOLUTIONARY MUSICAL DEVELOPMENT OF THE INTEGRATED FUNCTIONING OF COSMIC HUMAN LIFE, EVOLUTION & DIGNITY – THE UNIVERSAL EIGENFUNCTION OF COSMIC COGNITION & CREATIVITY – THE AUTHENTIC SCIENTIFIC PATH TO UNIVERSAL HARMONY – AND
THE NATURAL UNIVERSAL HARMONIC DEVELOPMENT OF THE MEDICAL SCIENCES – IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF THE MEDICAL SCIENCES UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL INTEGRATED STRUCTURAL & FUNCTIONAL DEVELOPMENT OF THE NATURAL UNIVERSAL COORDINATION OF OUR INNER COSMIC HEARING ABILITY WITH OUR EVOLUTIONARY COSMIC INTELLECTUAL UNDERSTANDING

WITHIN THE INTEGRATED DEVELOPMENT OF THE UNIVERSAL EIGENFUNCTION OF HUMAN CONSCIOUSNESS & CREATIVITY
THROUGH INTEGRATED UNIVERSAL ANALYSIS & SYNTHESIS IN THE MUSICAL FIELDS OF COGNITION & CREATION
DURING THE INTEGRATED MUSICAL PROCESS OF COGNITION ANDCREATION


Subject of Study 7

Scientifically Studying the Universal Regenerative Harmony-Potential of UNIVERSAL CONSCIOUSNESS – the Integration of Universal Cognition & Creation – within the Universal Coordination of our Inner Cosmic Hearing Ability with our Regenerative Ability of Cosmic Intellectual Understanding
Through the Integration of the Field of Knowledge of the Musical Tone-Space and the Field of Knowledge of our Hearing
During / by the Integrated Analysis and Synthesis of the Tone


Seminar Series

The mechanics of the basic tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

The mechanics of the overtone spectrum of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

The mechanics of the periodic vibration of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

The mechanics of the vibration sequence of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

The mechanics of the aperiodic vibration of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

The mechanics of the attack of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

The mechanics of the decay of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

The overtone mechanics of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Eigenfunction of the overtone mechanics of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Eigenfunction of the decay of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Eigenfunction of the attack of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Eigenfunction of the aperiodic vibration of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Eigenfunction of the vibration sequence of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Eigenfunction of the periodic vibration of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Eigenfunction of the overtone spectrum of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Eigenfunction of the basic tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space