For the next logical step to the states of consciousness related to the text please click on the numbers.

In the Field of Absolute Musical Knowledge the Listener Avoids the Fallacy

On the absolute musical level of the harmony we clearly identify the perfect and lively, eventful and instructive integration of all contradictions.
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
7. 12, 8. 13, 15. 25
4, 6-9, 11, 15-21
6. 11, 7. 12, 8. 13, 9. 14, 15. 25, 16. 26
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35
6. 10, 11, 9. 14, 15, 16. 26, 27

And when we now look
4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30

from the field of our pure self-awareness
7. 12, 8. 13, 15. 25

out into the world of our limited thinking,
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35

when we look
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28

from the infinite harmony
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
4, 11, 18

to the limited musical force-fields of the sequences,
5. 9, 6. 10, 10. 16, 17, 17. 28, 29

the motifs
5. 6, 7, 10. 18, 19, 17. 30, 31

or even the musical sound-space,
4. 4, 5, 11. 20, 21, 18. 32, 33

then we realize that the contradictory – like the fallacy before –
has its basis in the limited nature of the relative musical process
of knowing,
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
7. 12, 8. 13, 15. 25
4, 6-9, 11, 15-21
6. 11, 7. 12, 8. 13, 9. 14, 15. 25, 16. 26
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31
4. 4, 5, 11. 20, 21, 18. 32, 33

and that we dissolve it only by repairing to the absolute level of pure musical knowledge,
4, 6-9, 11, 15-21

into the perfect world of experience of the harmony,
6. 10, 11, 9. 14, 15, 16. 26, 27

into the lively field of our pure self-knowledge.
7. 12, 8. 13, 15. 25