UNIVERSITY OF THE FUTURE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
Faculty of NATURAL SCIENCES – CURRICULUM

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Peter Hübner
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Scientifically Studying
the Human Capacity of
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of Cosmic Knowledge

31.
Musical Motif Space and Creative Field of Inner Hearing

Subject of Study 1

Subject of Study 2

Subject of Study 3

Subject of Study 4

Subject of Study 5

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Subject of Study 7

 

 

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INTEGRATED UNIVERSAL PROCESS OF LEARNING

THE
HARMONY LAWS
OF NATURE

EQ x IQ Astronomy of Mind
Peter Huebner Micro Music Laboratories

STRUCTURING
THE PROCESS
OF THINKING

31. Musical Motif-Space and Creative Field of Inner Hearing

universal thinking

SCIENTIFICALLY STUDYING NATURAL HARMONY STUDY OF THE NATURAL INTEGRATION OF THE
INNER-HUMAN COGNITIVE AND CREATIVE FORCES
IN THE REGENERATION PROCESS

SCIENTIFICALLY STUDYING THE UNIVERSAL EVOLUTIONARY MUSICAL DEVELOPMENT OF THE INTEGRATED FUNCTIONING OF COSMIC HUMAN LIFE, EVOLUTION & DIGNITY – THE UNIVERSAL EIGENFUNCTION OF COSMIC COGNITION & CREATIVITY – THE AUTHENTIC SCIENTIFIC PATH TO UNIVERSAL HARMONY – AND
THE NATURAL UNIVERSAL HARMONIC
DEVELOPMENT OF THE NATURAL SCIENCES –
IN CONNECTION TO OBJECTIVE SCIENTIFIC
RESEARCH IN THE FIELDS OF THE NATURAL
SCIENCES UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL
MUSICAL INTEGRATED STRUCTURAL &
FUNCTIONAL DEVELOPMENT OF THE NATURAL
UNIVERSAL COORDINATION OF OUR INNER
COSMIC HEARING ABILITY WITH OUR
EVOLUTIONARY COSMIC INTELLECTUAL
UNDERSTANDING

WITHIN THE INTEGRATED DEVELOPMENT OF
THE UNIVERSAL EIGENFUNCTION OF HUMAN
CONSCIOUSNESS & CREATIVITY
THROUGH INTEGRATED UNIVERSAL ANALYSIS
& SYNTHESIS IN THE MUSICAL FIELDS OF
COGNITION & CREATION
DURING THE INTEGRATED MUSICAL PROCESS
OF COGNITION AND CREATION

Subject of Study 1

Scientifically Studying the Natural Coordination of our
Ability of Inner Hearing with the Creative Ability of Cognition
of our Understanding
During / by the Integrated Analysis and Synthesis of Tone, sound and Idea
Seminar Series

Integrated mechanics of the combination of basic tone, basic sound and basic idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the overtone spectra of the combination of tone and sound with the idea derivation at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the periodic vibrations of the combination of tone and sound with the periodic idea chain at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the vibration sequences of the combination of tone and sound with the idea sequence at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the aperiodic vibrations of the combination of tone and sound with the aperiodic idea chain at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the attacks of the combination of tone, sound and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the decays of the combination of tone, sound and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated overtone mechanics of the combination of tone, sound and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of tone, vowel and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of the overtone spectrum of the tone with the formants and the idea derivation at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of the tone with the unvoiced consonant and the idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of the tone with the voiced consonant and the idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of tone, sound and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of idea, sound and tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of idea, voiced consonant and tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of idea, unvoiced consonant and tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the idea derivation, the formants and the overtone spectrum of the tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the idea, the vowel and tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the overtone mechanics of the idea, sound and tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the decays of the idea, sound and tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the attacks of the idea, sound and tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the aperiodic idea chain and the aperiodic vibrations of sound and tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the idea sequence and the vibration sequences of sound and tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the periodic idea chain and the periodic vibrations of sound and tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the idea derivation and the overtone spectra of sound and tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the basic idea, basic sound and basic tone at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space


BASIC LAW OF EDUCATION  · TEACHING THE LAWS OF NATURE