INTEGRATED UNIVERSAL PROCESS OF LEARNING

THE
HARMONY LAWS
OF NATURE

EQ x IQ Astronomy of Mind
Peter Huebner Micro Music Laboratories

STRUCTURING
THE PROCESS
OF THINKING

16. Cognitive Feeling to Musical Sequence-Space

THE PATH

  Increased Efficiency
  in the Function
  of Thinking

THE GOAL

Natural
Thinking

THE APPROACH

  Release of Psycho-
  Physiological
  Manifestations
  of Stress

THE METHOD

  Music as a
  harmonic
  Data Carrier

THE STYLE

  Music according to
  the Laws of Nature

  Application
  of the Natural
  Harmony Laws
  of the Microcosm
  of Music

universal thinking

SCIENTIFICALLY STUDYING THE NATURE OF THE
INNER-HUMAN CREATIVE FORCES

SCIENTIFICALLY STUDYING THE UNIVERSAL FUNCTIONAL DEVELOPMENT OF COSMIC HUMAN LIFE, EVOLUTION & DIGNITY – THE AUTHENTIC CREATIVE PATH TO SCIENCE – AND
THE NATURAL UNIVERSAL FUNCTIONAL
DEVELOPMENT OF NATURAL SCIENCES –
IN CONNECTION TO OBJECTIVE SCIENTIFIC
RESEARCH IN THE FIELDS OF THE NATURAL
SCIENCES UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL
MUSICAL FUNCTIONAL DEVELOPMENT OF THE
NATURAL UNIVERSAL CREATIVE ABILITY OF
OUR COSMIC FEELING
WITHIN THE UNIVERSAL DEVELOPMENT OF
HUMAN CREATIVITY
THROUGH UNIVERSAL SYNTHESIS IN THE
MUSICAL FIELDS OF CREATION
DURING THE MUSICAL PROCESS OF CREATION

Subject of Study 5

Scientifically Studying the Nature of the Creative Ability
of our Feeling
During / by the Integrated Synthesis of Sound and Tone

Seminar Series

at the transition of sound and tone from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the voiced consonant and tone from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the unvoiced consonant and tone from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the formants and the overtone spectrum of the tone from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of vowel and tone from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the overtone mechanics of sound and tone from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the decays of sound and tone from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the attacks of sound and tone from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the aperiodic vibrations of sound and tone from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the vibration sequences of sound and tone from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the periodic vibrations of sound and tone from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the overtone spectra of sound and tone from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of basic sound and basic tone from the force-field of our feeling to the force-field of the musical sequence-space

universal thinking

SCIENTIFICALLY STUDYING THE NATURE OF THE INNER-HUMAN CREATIVE FORCES

Subject of Study 5

Scientifically Studying the Nature of the Creative Ability of our Feeling During / by the Integrated Synthesis of Sound and Tone

Seminar Series

BASIC LAW OF EDUCATION · TEACHING THE LAWS OF NATURE

SCIENTIFICALLY STUDYING THE NATURE OF THE
INNER-HUMAN CREATIVE FORCES

Scientifically Studying the Nature of the Creative Ability
of our Feeling
During / by the Integrated Synthesis of Sound and Tone