19. Musical Motif-Space to Creative Field of Inner Hearing
Subject of Study 1
Scientifically Studying the Universal Coordinative Development of Human Creativity – the
Heaven – the Flying Aspect of the Dragon – within the Universal Coordination
of our Ability of Cosmic Intellectual Understanding with our Inner Cosmic Hearing
Ability
Through the Transition from the Field of Knowledge of the
Musical Motif-Space to the Field of Knowledge of our Hearing
During / by the Integrated Synthesis of Tone, Sound and Idea
Seminar Series
at the transition of idea, sound and tone from the force-field of the musical
motif-space to the force-field of our hearing
at the transition of idea, voiced consonant and tone from the force-field of
the musical motif-space to the force-field of our hearing
at the transition of idea, unvoiced consonant and tone from the force-field of
the musical motif-space to the force-field of our hearing
at the transition of the idea derivation, the formants and the overtone spectrum
of the tone from the force-field of the musical motif-space to the force-field
of our hearing
at the transition of the idea, the vowel and tone from the force-field of the
musical motif-space to the force-field of our hearing
at the transition of the overtone mechanics of the idea, sound and tone from
the force-field of the musical motif-space to the force-field of our hearing
at the transition of the decays of the idea, sound and tone from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the attacks of the idea, sound and tone from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the aperiodic idea chain and the aperiodic vibrations of
sound and tone from the force-field of the musical motif-space to the force-field
of our hearing
at the transition of the idea sequence and the vibration sequences of sound and
tone from the force-field of the musical motif-space to the force-field of our
hearing
at the transition of the periodic idea chain and the periodic vibrations of sound
and tone from the force-field of the musical motif-space to the force-field of
our hearing
at the transition of the idea derivation and the overtone spectra of sound and
tone from the force-field of the musical motif-space to the force-field of our
hearing
at the transition of basic idea, basic sound and basic tone from the force-field
of the musical motif-space to the force-field of our hearing